Good God
About This Event
Good God at Union Hall pairs Aasif Mandvi, known for his work on The Daily Show, with a rotating lineup of local comedians and singer-songwriters. This edition features Adler, Brittany, Carney and Naomi in the venue’s close-listening room, where concise comic timing sits beside voice-forward songcraft.
About the Artists
Naomi
Naomi is a dynamic force in the Rock/Pop scene, captivating audiences with her unique blend of musical and comedic talent. Regularly performing at the renowned Union Hall in Brooklyn, she is a staple of New York City's vibrant cultural tapestry.
Brittany
Brittany, a vibrant force in the Rock/Pop scene, has been captivating audiences at Union Hall in Brooklyn with her dynamic performances. Known for her magnetic stage presence and a knack for engaging storytelling, she frequently collaborates with a talented lineup of comedians and musicians such as Naomi Karavani and Jared Goldstein.
Carney
Carney is a New York City–based performer whose work moves between electronic sets, DJ work, and band-shaped rock/pop, with occasional turns toward comedy, kids programming, and jazz contexts. In recent bills they’ve appeared at The Woodshop, Union Hall, and Ornithology Jazz Club, sharing lineups with artists such as x3butterfly, Eros, Ellis Delta, and Wyatt Cenac.
Marcus
Marcus is a dynamic force in the Rock/Pop arena, captivating audiences with his soulful performances and electrifying guitar work. Known for bringing a fresh energy to the stage, he frequently performs at Union Hall in Brooklyn, a hub for indie music and comedy in New York City's vibrant Park Slope neighborhood.
Aasif
Aasif Mandvi is an Indian-American actor and comedian known for his work on 'The Daily Show' and various film and television projects.
Coleman
Coleman is a New York City–based rock/pop performer who appears regularly on small stages, including Union Hall in Brooklyn. In shows like *Good God*, Coleman works with a rotating circle of collaborators—Naomi, Brittany, Carney, Marcus, Aasif, and Akeem—treating the set as a shared, live arrangement rather than a fixed script.