Round Midnight Solo Piano with Marius Van Den Brink

Thelonious Monk wrote “’Round Midnight” in the early 1940s, and it soon became part of New York’s after-hours musical vocabulary. Built on a dark, circular melody and unresolved harmony, it frames midnight not as a scene but as a state of mind. In NYC it has long served as a common language for bandstands, shifting shape from player to player while keeping its core intact. At Smalls Jazz Club and Dizzy’s Club, performers including Raphael D’Lugoff, Brilliant Corners, Helen Sung, DeWitt Fleming Jr., and Julius Rodriguez revisit a standard that still tests how quietly a room can listen.