70's McCartneyw/Rennie Pincus,Colin Taber,Allie Kenny,Dave Gantenbein,Vin D'Agostino

70's McCartney is a rock/pop act built around a close reading of Paul McCartney’s 1970s-era songwriting, staged for New York City rooms like The Bitter End. The project appears in a rotating, band-forward format with musicians including Rennie Pincus, Colin Taber, Allie Kenny, Dave Gantenbein, and Vin D’Agostino, drawing on the city’s tradition of tight ensemble playing.

Rennie Pincus is a rock and pop performer seen on New York City stages, including sets at The Bitter End. He appears in the project “70’s McCartney,” performing alongside Colin Taber, and works in the idiom of classic songcraft and band interplay.

Colin Taber is a New York City–based rock and pop performer who appears at The Bitter End, a room known for close listening and quick musical turns. He has shared the stage with Rennie Pincus, including the set titled *70’s McCartneyW/ Rennie Pincus & Colin Taber*, where arrangement and songcraft take priority.

Allie Kenny is an emerging rock/pop artist appearing in New York City rooms like Bowery Palace. She has shared bills with Alex Rolland, including the event listed as “Alex Rolland | Allie Kenny,” placing her work in the city’s small-stage circuit.

Dave Gantenbein is a New York–based rock/pop songwriter and performer who appears on bills at The Bitter End. He has shared stages with Rennie Pincus, Colin Taber, Allie Kenny, and Vin D’Agostino, including sets built around a “70’s McCartney” songcraft thread.

Vin D’Agostino is a rock/pop performer heard on New York City stages, including The Bitter End. His work draws on classic songcraft and band-forward arrangements, with a parallel footprint in dance-oriented production reflected in his italo dance and eurodance listeners on streaming platforms.