Performatist
    Rock/Pop

    Polyphia Tour MMXXVI

    Illustration for Polyphia Tour MMXXVI

    Monday, October 5, 2026

    6:30 PM

    Brooklyn Paramount

    Brooklyn, NYC

    Scheduled

    About This Event

    Polyphia brings its guitar-driven writing—rooted in math rock, djent and progressive metal with rhythmic ideas drawn from hip-hop and electronic music—to Brooklyn Paramount, emphasizing composition and the interplay of guitarists Tim Henson and Scott LePage alongside Clay Gober and Clay Aeschliman. The bill pairs them with Ladrones, a music-and-dance ensemble that incorporates diverse cultural traditions, and RJ Pasin, whose band-forward rock/pop favors clean hooks and rhythmic clarity.

    About Polyphia Tour MMXXVI

    Polyphia Tour MMXXVI arrives at Brooklyn Paramount with Polyphia alongside Ladrones and RJ Pasin, framed here in a rock/pop program. Ladrones operates between concert and staged work, threading live music with dance and gestures drawn from multiple cultural lineages. Pasin leans into a band-centered approach, with songwriting that foregrounds groove and arrangement as much as vocal presence. For New York, the significance is less about premiere history than context: a venue-built night where technical polish can read as its own aesthetic argument.

    About the Artists

    Polyphia

    Polyphia

    math rockdjentprogressive metalprogressive rock

    Polyphia is a Texas-based rock group formed in 2010, known for guitar-driven writing that draws on math rock, djent, and progressive metal while borrowing rhythmic ideas from hip-hop and electronic music.

    Ladrones

    Ladrones is a performance group known for its unique blend of music and dance, often incorporating elements of various cultural traditions.

    RJ Pasin

    RJ Pasin

    phonk

    RJ Pasin is a rock/pop artist who brings a band-forward sensibility to the stage, shaped by time spent alongside touring acts including Unprocessed, ALLT, and Midwinter. In New York City, Pasin has appeared at the Gramercy Theatre, placing their work in a room known for tight sightlines and direct sound.