World Listening Tour arrives at Million Goods as a live electronic set built for close listening as much as for the dance floor. Featuring Susumu Yokota, the performance draws on DJ practice and studio composition, treating rhythm and texture as equal parts. In a city where electronic music often lives in clubs and galleries, this kind of hybrid night registers as a small document of New York’s ongoing listening culture. The work’s restraint is its point: it asks the room to hear structure in sound, not spectacle.