“Unregistered HyperCam: Tales From the Aughts” lands at Wonderville as a rock/pop set that treats early-2000s screen culture as lived history. Featured performers Red Parry NYC and Ian Ford work in a register shaped by the era of desktop recording, message boards, and lo-fi documentation, turning a familiar internet artifact into stage material. In New York, where so much of the city’s music life is now archived in clips and posts, the show reads like an argument about what gets remembered. The most pointed detail is its refusal to romanticize the period’s rough edges.