Now at La MaMa Experimental Theatre Club, *The Rest of Our Lives* arrives as a live stage work situated in New York’s downtown performance lineage. The play tracks people negotiating the long afterlife of a turning point, where ordinary routines become evidence and memory is treated like a record to be examined. Its interest is less in plot mechanics than in what time does to relationships, bodies, and choices. The piece fits La MaMa’s role as an incubator for new work in the city, and its restraint reads as a quiet critical stance.