At David Geffen Hall, *The People United…* returns as a piece of late-20th-century musical dissent, built from a street-level protest chant and recast for the concert stage. Under Gustavo Dudamel, the performance treats repetition and gradual change as its main narrative tools, turning a simple slogan into shifting harmony and accumulating weight. In New York, where public assembly and public art have long intersected, the work reads less like an anthem than a record of how solidarity is sustained over time.
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