Now at the Museum of Modern Art (MoMA), *The Long Way Home. 1989/2026.* unfolds as a live, free-form performance featuring Michael Apted. It moves between two dates as points of reference, treating time as an archive and a pressure test, not a backdrop. The piece reads like a public reckoning with memory and authorship, shaped in real time by the performer’s decisions. In a city where MoMA has often served as a first New York platform for boundary-crossing work, this presentation places the project inside that lineage, with one clear implication: the past is never finished being edited.
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