“The Indoctrination Tour” arrives at C’mon Everybody as a live performance framed by the rituals of a tour stop in New York nightlife. Featuring Honey Patou, it moves between persona and testimony, treating the stage as a site where belonging is learned, enforced, and sometimes refused. The piece matters here because Brooklyn’s small venues remain among the city’s most direct laboratories for cultural transfer, where audiences watch ideas circulate in real time. Its restraint is its point: it lets the social machinery show through.