The other “The Idiot’s Hour” arrives at Baker Falls as a live Rock/Pop bill anchored by Annabelle Dinda, Scott McCloud, and Beaven Waller, with sets from Torture & the Desert Spiders and Torture. The night reads less like a single “show” than a stitched-together portrait of the city’s smaller rooms, where bands test material in real time and scenes overlap. No documented NYC premiere history is widely established for this edition, but its significance is local and practical. One clear throughline is abrasion meeting melody, a useful measure of where downtown rock currently sits.