“The Ghosts of Christmas” arrives at UBS Arena as Trans-Siberian Orchestra’s rock-and-orchestra retelling of a holiday story first introduced to many viewers through their late-1990s television special, “The Ghosts of Christmas Eve.” It threads original narration through electric guitar, choir, and symphonic passages, treating seasonal music as staged drama rather than repertory. In the New York area, where December concert calendars are crowded, its importance lies in how it folds arena rock spectacle into the city’s long tradition of public holiday performance. One clear observation: the show functions as a crossover ritual, built as much on sound design and pacing as on melody.
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