At La MaMa Experimental Theatre Club, *The Ford/Hill Project* unfolds as a live stage work that traces a set of linked histories and the people who carry them. Built with documentary methods, it layers spoken testimony, reconstructed scenes, and archival traces into a single timeline that keeps slipping between public record and private memory. La MaMa’s role as a downtown incubator gives the piece a clear New York context, even when the story ranges outward. Its most telling move is refusing neat closure, letting the evidence remain contested.