Temptation, here, is treated less as a moral warning than as a working condition of nightlife: the pull toward immediate sensation, and the quiet cost it can carry. At Bossa Nova Civic Club, the piece takes the form of a live electronic set, with Angel Arias shaping pressure and release through DJ-driven structures. No specific NYC premiere history is documented, but the setting matters; North Brooklyn’s clubs have long functioned as informal laboratories for electronic music. The critical point is simple: the music frames desire as a system, not a confession.