At Littlefield in Brooklyn, Synesthesia is presented as a cross-genre night that treats perception as material. The title nods to a neurological condition in which one stimulus triggers another sense, and the program echoes that idea by placing dance and live music alongside stand-up. Todd Barry’s dry, observational comedy shares the bill with Nataly Aukar, creating a frame where timing, rhythm, and bodily gesture can be read as related languages. It’s a modest, New York–typical hybrid, built around adjacency rather than spectacle.
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