SLAMBIENT II is a live electronic set that treats the DJ booth like a compositional tool, building structure from rhythm, pressure, and repetition. At Qncc in New York City, it arrives less as a “show” than as a temporary listening environment shaped in real time. Public premiere history in NYC is not widely documented, but its presence here reads as part of the city’s ongoing conversation between club practice and performance art. The critical interest is in its restraint: it lets small changes carry the narrative.