PEACHES ’N KREAM arrives at Brooklyn Paramount as a jazz-leaning live set framed in a rock/pop concert format. The bill pairs the Black Keys with Eddie 9V and Miles Kane, bringing blues circuitry, guitar-driven songcraft, and bandstand improvisation into the same room. There’s no established NYC premiere history widely documented for this title, but its significance here is contextual: a genre label tested against the realities of a large, historically resonant Brooklyn stage. One clear takeaway is how the programming blurs category more than it resolves it.