“North American Tour 2026” lands at UBS Arena with a bill that traces two decades of rock and pop’s crossover logic. Avenged Sevenfold bring a metal-rooted, arena-scale set; Good Charlotte arrive from the pop‑punk lineage that once dominated New York’s club circuit before graduating to larger rooms. The show functions less as a single narrative than a survey of how radio-era hooks and heavier riff craft now share the same stage. One clear takeaway: the genre boundaries are mostly administrative at this size.
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