At the Met Museum Exhibitions, *Mishneh Torah* is presented as an art-and-text encounter with a foundational legal code of Jewish life, organized in the 12th century by Moses Maimonides. Written in Egypt, the work set out to systematize rabbinic law into a single, navigable structure that could outlast local custom and confusion. In New York, where Jewish scholarship and collecting have long shaped museum culture, its appearance reads as a reminder that books can function as civic architecture. The clarity of its method is also its provocation.
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