Lost Miracle arrives at 99 Scott as a late-night electronic set built around extended DJ storytelling rather than quick drops. Sébastien Léger and Roy Rosenfeld work in the lineage of European melodic house and techno, favoring slow transitions, layered percussion, and long arcs that reward patience. In New York, where club spaces often double as informal cultural institutions, this kind of touring bill functions as a snapshot of a wider scene in motion. The earned observation is simple: the room becomes the third performer, shaping tempo and tension as much as the decks.