On view at the Met Museum Exhibitions, *The Jousting Armor of Philip I of Castile* examines a Renaissance suit made for tournament ritual as much as for protection. The presentation tracks how metalwork, heraldry, and court politics meet in an object designed to project authority at close range. In New York, its appearance sits within the Met’s long record of interpreting arms and armor as art rather than relic. One clear takeaway is how carefully danger was choreographed into pageantry, and then preserved as cultural memory.
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