At Iridium, a live jazz set reframes Joni Mitchell’s songbook through improvisation and small‑group interplay. Mitchell’s writing, long absorbed into New York’s club and conservatory circuits, sits at a crossroads of folk narrative and jazz harmony that musicians here continue to test in real time. The performance treats familiar melodies as structures rather than monuments, opening space for reharmonization and rhythmic shift. One clear takeaway is how durable her compositions are when separated from their original recordings.
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