At the Noguchi Museum in Long Island City, this exhibition takes its title from Isamu Noguchi’s refusal to be boxed into a single discipline. The presentation traces how his sculpture, furniture, stage sets, and public works moved across art and utility without settling into either category. In New York, where Noguchi built a long career and left permanent marks on the city’s visual landscape, the show reads as a local record as much as a retrospective. It also makes a quiet argument: his “not a designer” stance was less denial than a method.