At Union Hall, the other “I Can Steal Your Mother” arrives as a rock/pop set led by Max Wittert, performing under both his own name and the project title. The show plays like a document of persona-building in real time, where humor and provocation sit beside straight songwriting. In New York, it lands in a lineage of small-room performance that tests how far a title and a voice can carry an audience. One clear strength is its refusal to separate satire from sincerity.
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