At Westbury Music Fair, “Hasan Hates Ronny” arrives as a Rock/Pop-structured live set built around the friction between Ronny Chieng and Hasan Minhaj. The show treats rivalry as a frame for performance, using songs and spoken interplay to test how fast banter can turn into melody and back again. No specific NYC premiere history has been announced, but it lands in the city’s wider tradition of genre-crossing nights where comedy and concert formats share the same stage. Its sharpest idea is that “hate” reads less as a claim than as a device for timing and control.