At The Met’s exhibition galleries in New York, *Gothic by Design: The Dawn of Architectural Draftsmanship* traces how medieval builders moved from workshop practice toward drawing as a formal tool of planning and persuasion. The show gathers early architectural studies and related works on paper to examine what a line could do: measure, instruct, and imagine. In an NYC context, it reads as a reminder that the city’s own Gothic revivals were built on this older graphic language. One quiet takeaway is how draftsmanship begins to shift authorship from the mason’s hand to the designer’s mind.