At Purgatory, *fif (album release)* unfolds as a live electronic set shaped by five distinct hands: Cooper-Moore, Kyra Baskin, IVK, Ladybyrd, and Paris Archives. The event marks a local stop in New York City’s long-running practice of treating albums as public occasions, tested in real time before a room. The sound leans toward process over polish, with individual voices kept audible rather than blended into a single brand. It reads as a document of a scene deciding, in public, what counts as finished.