“Eidiot Mubarak” arrives in New York as a live comedy set at Gramercy Theatre, with Hassan Phills among the featured performers. The title nods to Eid and the small misreadings that trail any public celebration, using that tension to talk about identity, family, and the way communities are translated for wider audiences. In a city where immigrant holidays are both private ritual and public visibility, the material lands with local relevance. The tone tends to favor observation over punchline-chasing, which gives the evening a steadier shape.