At The Bell House in Brooklyn, Dave Hill records a comedy special in a room more often associated with live music than stand-up. The taping is framed by rock/pop sensibilities, treating the venue’s stage like a bandstand as much as a mic stand. In a city where alternative rooms routinely become testing grounds for recorded work, this kind of document matters as a snapshot of how NYC comedy borrows from concert culture. Hill’s material tends to land with a musician’s pacing and restraint.