At the Guggenheim in New York, *Cecilia Vicuña: Spin Spin Triangulene* presents the artist in an exhibition context, extending her long practice across text, sound, and ephemeral materials. The work draws on Vicuña’s attention to Indigenous knowledge, ecological precarity, and the politics of language, with forms that shift between poem and object. Its significance in NYC sits within the city’s recent institutional recognition of Vicuña’s late-career visibility, bringing a historically marginal voice into a canonical venue. One clear effect is how deliberately it resists being read as a single, stable artwork.
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