At Fridman Gallery, *Cautionary Tales: A Symphony of Anger/Kòlè* takes the form of a live exhibition event, with Laurena Finéus among the featured performers. The work treats anger as both subject and material, moving between personal testimony and wider histories carried in language, gesture, and sound. Its use of “kòlè” foregrounds Haitian Creole and the politics of naming emotion in public space. One clear takeaway is its refusal to tidy anger into resolution, insisting instead on attention and context.