“Camoflux Recall Grotto” is presented as a live exhibition event at Whitney Exhibitions, placing performance inside the museum’s working space rather than on a conventional stage. Leo Castañeda is among the featured performers, using the gallery as both set and subject, with attention to memory, concealment, and the ways institutions frame what can be seen. In New York, this reads as part of the Whitney’s ongoing role in testing hybrid forms between visual art and live practice. Its most pointed gesture is how it makes spectatorship feel like a civic act, not a private one.
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