At Guggenheim Exhibitions in New York, *By Way Of: Material and Motion in the Guggenheim Collection* traces how artists in the museum’s holdings have treated movement as both subject and method, from engineered kinetics to the slower drift of process and perception. The show keeps its attention on materials—metal, light, paper, pigment—and on what happens when they are set in motion, physically or conceptually. Seen in the city where modernism’s institutions helped shape these debates, it reads like a quiet argument for motion as a core language of 20th- and 21st-century art.
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