At National Sawdust, Kaoru Watanabe leads Bloodlines Interwoven in a live classical set that treats lineage as both subject and method. The work traces how musical knowledge travels—through teachers and families, through migration, and through the quiet adjustments performers make over time. Watanabe’s practice sits in New York’s long-running conversation between conservatory tradition and downtown experimentation, and the piece reads as part of that civic history even without claiming a formal NYC premiere. One clear strength is its attention to process over display.