Benjamin Tod brings his 2026 tour to The Bowery Ballroom with Inline Six, placing contemporary country songwriting in a room better known for indie rock turnover. The set leans on plainspoken narrative and band interplay rather than studio polish, with Tod’s voice carrying the hard edges of the stories. In New York City, where country often arrives as a visiting tradition, the night reads as a test of how these songs hold up in close quarters. The result can feel more like reporting than spectacle.
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