“As The Pendulum Swings” arrives at Brooklyn Storehouse as a live electronic set built for a room that can handle low frequencies and long reverbs. The featured performer, REZZ, works within an electronic vocabulary that favors pulse, distortion, and tightly controlled repetition. In New York, it reads as part of the city’s ongoing shift of dance music into repurposed industrial spaces, where sound design becomes the main stagecraft. The most telling detail is its restraint: momentum comes from structure, not spectacle.