Acustico arrives at Brooklyn Paramount as a live Rock/Pop set shaped around stripped-back arrangements and close attention to voice. Featuring Beto Cuevas, the performance leans on clarity and pacing rather than volume, with songs rebuilt to show their structure. If this marks a first New York presentation in its current form, it lands in a city where “unplugged” formats have long functioned as a test of craft. The earned takeaway is simple: without production to hide behind, the writing has to carry.