Bleeding Past The Edges New York Performances

“Bleeding Past The Edges” arrives at Public Records as a record-release performance led by composer and violinist Christopher Tignor, working in electro-acoustic idioms where live strings and computer processes share the same space. Julia Kent joins the bill, extending the program’s attention to bowed sound and slow-moving harmony. The work sits in the lineage of New York’s post-minimal and experimental music scenes, presented in a venue that has become a regular site for that continuum. Its quiet argument is that technology isn’t an effect here; it is a second instrument with agency.