Spatial, No Problem New York Performances

At Public Records, *Spatial, No Problem* appears as a Long Play listening session that stages a dialogue between Lee “Scratch” Perry’s dub-era studio logic and Mouse on Mars’s electronic practice. The program treats spatial sound as a compositional tool, tracing how delay, collage, and analog synthesis reshape a room’s perception of rhythm. If this marks a New York presentation of the pairing, it lands as a small piece of local premiere history within the city’s ongoing listening-culture revival. One clear point emerges: the “performance” is the mix itself.