BIAS: moong!rl, Malcolm XL, NARI, KA WAI + fandom dancing
About This Event
At Elsewhere, BIAS, moong!rl, Malcolm XL, NARI, KA WAI and fandom dancing share a bill. The lineup favors sets built from fixed parameters and small, deliberate shifts—tight pacing, gradual changes in rhythm and texture, and an emphasis on clarity rather than dramatic peaks. Malcolm XL contributes a large streaming presence while the others foreground restraint and DJ craft.
About the Artists
BIAS
BIAS is an emerging electronic artist whose name borrows from the engineering term for a steady current that sets the conditions for a signal. In New York City, they bring that concept to the club context at Elsewhere, building sets around fixed parameters and small, deliberate shifts.
fandom dancing
fandom dancing is an electronic group heard in New York City lineups at Elsewhere, appearing on bills with artists including BIAS, moong!rl, Malcolm XL, NARI, and KA WAI. Their work sits inside the club format but treats it as a flexible structure, threading rhythm and texture through small, intentional changes.
moong!rl
moong!rl is an electronic artist who performs in New York City spaces including Elsewhere. She has appeared on bills with BIAS, Malcolm XL, NARI, KA WAI, and a segment billed as “fandom dancing,” in lineups that lean toward modular structure and careful changes over time.
Malcolm XL
Malcolm XL is an electronic artist with a large streaming footprint, with more than 2 million Spotify followers and high platform popularity. In New York City they have appeared at Elsewhere, including on bills with BIAS, moong!rl, NARI, KA WAI, and a segment billed as “fandom dancing.
NARI
NARI is an electronic artist working in the indie-dance lane, heard in New York City on club bills at Elsewhere. Their sets sit comfortably alongside peers like BIAS, moong!rl, Malcolm XL, KA WAI, and fandom dancing, where the emphasis is on structure and incremental change rather than big gestures.
KA WAI
KA WAI is an emerging electronic artist heard in New York City lineups at Elsewhere. Their work is shaped around tight parameters and small shifts, treating rhythm and texture like adjustable variables rather than fixed hooks.