Performatist
    DJ

    9th Anniversary Nonstop: Aurora Halal b2b OK Williams, DJ TOOL, Paula Tape, Sedef Adasï

    Illustration for 9th Anniversary Nonstop: Aurora Halal b2b OK Williams, DJ TOOL, Paula Tape, Sedef Adasï

    Saturday, December 5, 2026

    5:00 PM

    Scheduled

    About This Event

    Aurora Halal b2b OK Williams headlines a bill at Nowadays with DJ TOOL, Paula Tape and Sedef Adasï. The lineup emphasizes long-form, patient transitions and structural clarity: Aurora Halal’s listening-room approach, OK Williams’ genre-blending, Paula Tape’s acid-house–adjacent focus on rhythm and texture, Sedef Adasï’s controlled pacing, and DJ TOOL’s collaborative platform all point toward sequencing and sustained flow.

    About the Artists

    Aurora Halal

    Aurora Halal

    dub techno

    Aurora Halal is an electronic artist and DJ whose work is closely linked to New York City’s club circuit, with regular appearances at Nowadays. She moves between live electronic sets and long-form DJ performances, often in lineups that include OK Williams, Priori, Prosumer, Sevyn, Shy One, and VARSHA.

    OK Williams

    OK Williams is a DJ and producer known for blending various genres, particularly in the electronic and dance music scenes.

    DJ Tool

    DJ Tool

    Meet, Listen & Learn. La plateforme collaborative DJ de la musique électronique. “La pratique de la musique électronique est un art complexe. C’est en partant de ce constat que j’ai décidé de créer DJTOOL.

    Paula Tape

    Paula Tape

    acid house

    Paula Tape is an electronic artist whose work sits close to acid house, with a steady focus on rhythm, tone, and pacing. In New York City she has appeared at Public Records, including bills alongside S4M23, Hidden Spheres, and Jeffrey Sfire.

    Sedef Adasï

    Sedef Adasï is an electronic DJ who appears in New York City lineups at BASEMENT, including the BOUND PRIDE program alongside Samantha Togni, cotton, Katie Rex, Josh Steers, and JOSELO. Her work sits in the club context but treats the set as a constructed form, with attention to pacing and transitions.