12 Years of Good Room - The Carry Nation (all night), Timo Lee, JÄK-87
About This Event
As part of "12 Years of Good Room," The Carry Nation plays all night, joined by Timo Lee, JÄK-87, DJ Holographic, Lee Cash and Perna. The lineup assembles DJs whose club-focused sets emphasize tight transitions and steady pacing—Timo Lee and JÄK-87's control of room dynamics and DJ Holographic's Detroit-rooted house/techno sensibility—placing The Carry Nation's performance collective in a dance-floor context at Good Room.
About the Artists
DJ Holographic
DJ Holographic is a Detroit-rooted electronic DJ whose sets move between house and techno with a clean, rhythmic focus. In New York City, she has appeared at Superior Ingredients (Main Room) and Signal, including bills tied to Detroit Love and other club series.
Lee Cash
Lee Cash is a New York City–based electronic artist and DJ who appears in the city’s late-night club ecosystem, including sets at Good Room. Their work sits in contemporary club formats, moving between tightly programmed passages and live, in-the-moment adjustments.
Perna
Perna is an emerging electronic artist heard in New York City lineups at the Knitting Factory. Their work sits comfortably on mixed bills, including sets alongside Feargal and Jordo, where electronic production meets a club-room pace.
The Carry Nation
The Carry Nation is a performance collective that focuses on creating immersive experiences through music and art, often in nightlife settings.
Timo Lee
Timo Lee is a New York City–based electronic artist and DJ whose sets have been heard at Brooklyn’s Good Room. Working across club formats and live electronic performance, Lee has shared bills with figures such as Tim Sweeney, Rubinskee, DJ Spinna, Yu Su, JDH, Dave P, Ivan Berko, and Extra Andrew, including nights like “Tim Sweeney (all night)” and lineups with Etienne de Crécy and Justin Strauss.
JÄK-87
JÄK-87 is a New York City–based electronic DJ who appears regularly in the city’s late-night circuit, including sets at Good Room. Their work sits in a club-focused lane, built on tight transitions and steady control of pace rather than big gestures.