The Death of Nadine Villon V

Now playing at House of Yes, *The Death of Nadine Villon V* arrives as a live event that treats performance like a document you can stand inside. It follows the repeated “death” of its central figure across versions, using ritual, sound, and staged testimony to ask what gets preserved when a person becomes a story. In a city where nightlife often doubles as an archive, the piece reads as a record of community memory as much as spectacle. Its most pointed move is how it makes repetition feel like evidence, not gimmick.