Chicago
About This Event
Chicago at the Ambassador Theatre features a rotating company that includes Lissa deGuzman, Max von Essen, NaTasha Yvette Williams, Red Concepción, Reece Weaver, Ivy and Jacqueline B. The lineup blends Broadway-trained musical-theatre singers known for rhythmic precision and character specificity with performers who bring contemporary vocal approaches, keeping the staging focused on ensemble storytelling rather than spectacle.
About the Artists
Lissa deGuzman
Lissa deGuzman is a musical-theater performer working in the Broadway tradition, with recent appearances at New York City’s Ambassador Theatre in productions of *Chicago*. Onstage, she has shared bills with artists including Matteo Lane, Sophie Carmen-Jones, Krysta Rodriguez, Nik Walker, Jacqueline B, Mark Ballas, Ivy, and Max von Essen.
Ivy
Step into the vibrant world of Ivy, where the dynamic fusion of rock and pop creates an electrifying experience that resonates with the heart of New York City. Performing at the iconic Sony Hall, Ivy captivates audiences with performances that offer both the intimacy of VIP reserved seating and the energetic atmosphere of general admission standing room.
Max von Essen
Max von Essen is an American actor and singer whose work sits firmly in the Broadway musical tradition. In New York City, he appears at the Ambassador Theatre in *Chicago*, sharing the bill with artists including Krysta Rodriguez, Nik Walker, Rachel Schur, Sophie Carmen-Jones, Mark Ballas, Matteo Lane, Jacqueline B, and Ivy.
Jacqueline B
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Reece Weaver
Reece Weaver is an American dancer, actor, and author whose stage work is shaped by a background in precision team performance, including time as a Dallas Cowboys Cheerleader and a screen profile from *America’s Sweethearts*.
Red Concepción
Red Concepción is a New York City–based performer whose work sits at the intersection of Broadway storytelling and contemporary vocal music. At the Ambassador Theatre, Concepción has appeared in *Chicago*, bringing a grounded musical-theatre sensibility to the production’s tightly paced score and scene work.