Stereo Mandrax (FREE w/ RSVP): AITIS BAND • EPOXY • CLONE
About This Event
Stereo Mandrax headlines a three-act bill at Pianos with Epoxy and Clone. Stereo Mandrax moves between club rock and downtown experimental scenes, favoring economy and momentum; Epoxy brings NYC rock/pop–screamo energy with tight ensemble interplay, and Clone shares a name with Alice Cooper’s 1980 single "Clones (We're All)".
About the Artists
AITIS BAND • EPOXY • CLONE
AITIS BAND • EPOXY • CLONE appears on New York City bills rooted in the rock/pop continuum, including sets at Pianos. The three-act lineup has shared stages with Stereo Mandrax, moving between club rock formats and downtown-leaning experiment.
Stereo Mandrax
Stereo Mandrax is a rock/pop group heard in New York City rooms such as Pianos, often on bills that blur the line between club rock and downtown experimental music. Their recent appearances have placed them alongside Council Of Foreign Relations, Excepter, Marcia Bassett and Taralie Peterson, as well as Pink Must Animal, Surrender, Jeff Tobias, and Chris Forsyth’s What is Now.
AITIS BAND
AITIS BAND is a New York City rock/pop group that has appeared on multi-act bills at Pianos, including shows alongside Stereo Mandrax, Epoxy, and Clone. Their recorded footprint is small but traceable across platforms, where their tagging leans toward neofolk despite a band format.
Epoxy
Epoxy is a New York City–based group working in the overlap of rock, pop, and screamo. They have appeared at Pianos and on bills that emphasize the city’s small-room, live-band exchange, including the Torture Methods record release show alongside Chemical and Beneviolence.
Clone
Clone is an individual electronic artist associated with dark ambient and a restrained, rock-adjacent palette. In New York City, they have appeared on bills at Berlin and Pianos, sharing lineups with acts including Social Station, Winkie, DJ Ivy Oh, NGNY, Stereo Mandrax, and AITIS BAND.