Orson, CatLadyHi, Bahng, Ramon, Eric Modz, Miss Hazard + more
About This Event
A lineup of New York electronic artists — Orson, CatLadyHi, Bahng, Eric Modz, Miss Hazard and Ramon — appears at Cargo at Dead Letter No. 9, a room known for stripped-down, system-forward sets. These performers favor measured pacing, tight transitions and textural sound design, shaping sets through rhythmic restraint and clarity rather than spectacle.
About the Artists
Orson
Orson is a New York City–based electronic artist and DJ heard in rooms like Cargo at Dead Letter No. 9 and Good Room, where they present live sets alongside club-focused DJ work. Their recent bills place them in dialogue with Akin, Danilo Braca, DJ Spinna, Yu Su, JDH, Dave P, Ivan Berko, and Extra Andrew.
CatLadyHi
CatLadyHi is an electronic DJ who appears on New York City lineups tied to Brooklyn Storehouse, including the Teksupport bill featuring Layton Giordani, Script b2b Adam Sellouk, and CatLadyHi. Working in a format that favors long transitions and steady tempo control, she builds sets with an emphasis on structure rather than showmanship.
Bahng
Bahng is a New York City–based electronic artist and DJ who has appeared at Cargo at Dead Letter No. 9, a room known for stripped-down live sets. Working in lineups alongside KITA, De Novo, Dr. Bruno, Ramon, Static, Sammy, Carina, and LV Itsdb, Bahng situates their work within a local circuit of DJ and live electronic performance.
Ramon
Ramón O'Callaghan is a Spanish organizational theorist, emeritus professor of information systems and innovation management at the Tilburg University, former dean of Porto Business School, at the University of Porto in Porto, Portugal, and current President of Gisma University of Applied Sciences in Potsdam and Berlin, Germany.
Miss Hazard
Miss Hazard is a New York City–based electronic artist and DJ who performs at Cargo at Dead Letter No. 9, a room associated with stripped-back, system-forward sets. She has appeared on bills with Astro Raw, Decimel, De Novo: Carina, It’sdb, and Bahng, moving through lineups where pacing matters as much as volume.