Skyler Higley
About This Event
Skyler Higley brings a plainspoken, pace-focused comedy to Union Hall, delivering material that leaves space for digression while keeping the line of the joke. The bill includes Diego, whose late‑night, cross‑genre practice favors directness; Grace, who moves between art‑pop songcraft and DJ sets; and Johnson, whose theater-trained work foregrounds structure and natural speech.
About the Artists
Diego
Diego is a New York City–based performer who appears regularly at Alphaville, a room that has long served the city’s late-night, cross-genre circuit. Their work has intersected with artists including Fawn Ridge, Oh Vinnie, Audrey Keelin, Nicholas Byrne, Cold Dice, Feaster, Hot Knives, and Matt Lopes.
Torrenado,
Torrenado is a New York City–based comedian who performs at Union Hall. Their sets tend to be built around clear premises and steady pacing, with room for side routes that still return to the point. They’ve shared bills with Diego, Hannah, Jones, Grace, Johnson, and Skyler Higley, moving through lineups that mix stand-up with adjacent performance forms.
Hannah
Hannah is a stand-up comedian and actor whose work moves between club sets and screen roles. She is widely recognized for playing Ava Daniels, a comedy writer, on HBO Max’s *Hacks*, a performance that has been noted by major awards bodies.
Jones,
Jones is a New York City–based comedian who has appeared at Union Hall, working in bills that mix stand-up with other performance forms. They’ve shared lineups with artists including Diego, Torrenado, Hannah, Grace, Johnson, and Skyler Higley.
Grace
Grace is a New York City–based performer working across rock/pop songwriting and DJ sets, appearing at venues including Union Hall and Signal. Her credits span mixed-bill shows that place short song sets alongside character-driven comedy, with collaborators and billmates including Frankenstein’s Baby, Kurt Braunohler, Irene, Morales, Zae, Jordan, and Meka.
Johnson
Johnson is a New York–based performer whose work sits between stage craft and close observation, shaped by formal training and steady time in rehearsal rooms. In recent seasons, they have appeared in roles across theater and performance work presented at small and mid-size New York City venues, including downtown stages and black-box spaces.