Performatist
    Rock/Pop

    Gracie Abrams: The Look at My Life Tour presented by Capital One

    Illustration for Gracie Abrams: The Look at My Life Tour presented by Capital One

    Saturday, March 20, 2027

    8:00 PM

    Barclays Center

    Brooklyn, NYC

    Scheduled

    About This Event

    Gracie Abrams brings The Look at My Life Tour to Barclays Center with support from The Japanese House. Abrams, signed to Interscope since 2019 and known for the EPs Minor and This Is What It Feels Like and the debut album Good Riddance (released around her Best New Artist Grammy nomination), favors close-miked vocals and plainspoken detail; Amber Mary Bain’s Japanese House, which reached wider notice after the BBC Radio 1 debut of “Still,” offers atmospheric, melody-driven songs.

    About The Look at My Life Tour

    “The Look at My Life Tour” arrives at Barclays Center as a rock/pop live date framed by close observation and plainspoken self-inventory. On this New York City stop, Gracie Abrams and The Japanese House are featured performers, both working in the contemporary singer‑songwriter lane where detail and atmosphere carry the narrative. In a city that treats arena shows as civic events, the setting matters as much as the set list. One clear takeaway is how these songs hold up when scaled to a room built for spectacle, not confession.

    About the Artists

    Gracie Abrams

    Gracie Abrams

    Gracie Abrams is an American singer-songwriter whose plainspoken rock/pop songs drew attention after her early EPs and a 2019 signing with Interscope Records. She expanded that work on her debut album *Good Riddance*, released in the run-up to a Grammy nomination for Best New Artist.

    The Japanese House

    The Japanese House

    The Japanese House is the project of English musician Amber Mary Bain, a singer and multi-instrumentalist who writes and records at the intersection of rock and pop. She began shaping the moniker in her teens and later developed her sound with early support from Dirty Hit, arriving on wider radars after the BBC Radio 1 debut of “Still.