Performatist
    Rock/Pop

    Gracie Abrams: The Look at My Life Tour presented by Capital One

    Illustration for Gracie Abrams: The Look at My Life Tour presented by Capital One

    Wednesday, March 17, 2027

    8:00 PM

    Barclays Center

    Brooklyn, NYC

    Scheduled

    About This Event

    Gracie Abrams, an American singer‑songwriter noted for diaristic lyrics and close‑miked vocals, brings The Look at My Life Tour to Barclays Center. She built her early catalog on the EPs Minor and This Is What It Feels Like and expanded her sound on the debut album Good Riddance amid a Grammy nomination for Best New Artist. The lineup includes support from The Japanese House, Amber Mary Bain’s project, whose atmospheric, melody‑driven sound complements Abrams’ focus on phrasing and emotional detail.

    About The Look at My Life Tour

    “The Look at My Life Tour” arrives at Barclays Center as a rock/pop live date framed by close observation and plainspoken self-inventory. On this New York City stop, Gracie Abrams and The Japanese House are featured performers, both working in the contemporary singer‑songwriter lane where detail and atmosphere carry the narrative. In a city that treats arena shows as civic events, the setting matters as much as the set list. One clear takeaway is how these songs hold up when scaled to a room built for spectacle, not confession.

    About the Artists

    Gracie Abrams

    Gracie Abrams

    Gracie Abrams is an American singer-songwriter in the rock/pop lane, known for diaristic lyrics and close-miked vocals. After signing with Interscope Records, she built her early catalog through the EPs *Minor* and *This Is What It Feels Like* before expanding the sound on her debut album *Good Riddance*, released during the period of her Grammy nomination for Best New Artist.

    The Japanese House

    The Japanese House

    The Japanese House is the project of English musician Amber Mary Bain, a singer and multi-instrumentalist who writes and records at the intersection of rock and pop. She began shaping the moniker in her teens and later developed her sound with early support from Dirty Hit, arriving on wider radars after the BBC Radio 1 debut of “Still.