Performatist
    Electronic
    DJ

    Signal Pride: Kim Ann Foxman, Mike Servito b2b Shaun J. Wright, Karim Olen Ash, maenad

    Illustration for Signal Pride: Kim Ann Foxman, Mike Servito b2b Shaun J. Wright, Karim Olen Ash, maenad

    Saturday, June 27, 2026

    6:00 PM

    Scheduled

    About This Event

    At Signal, Kim Ann Foxman joins Mike Servito b2b Shaun J. Wright, Karim Olen Ash and maenad in a lineup that mixes DJ sets and live electronic practice. Foxman and Ash foreground programmed structure and real‑time shaping of texture; Servito’s techno background and Wright’s house‑and‑ballroom approach bring rhythmic discipline and vocal immediacy to the bill.

    About the Artists

    Kim Ann Foxman

    Kim Ann Foxman

    nu discoacid house

    Kim Ann Foxman is an electronic artist and DJ whose work moves between club formats and live electronic performance. In New York City, she has appeared at BASEMENT, sharing bills with Freddy K, Mos, The Carry Nation, and Manu Miran.

    Mike Servito

    Mike Servito is a DJ and music producer recognized for his contributions to the electronic music scene, particularly in the techno genre.

    Shaun J. Wright

    Shaun J. Wright

    Shaun J. Wright is a Chicago-rooted DJ, producer, vocalist, and dancer whose work moves between house traditions and ballroom practice. In New York City he is a recurring presence in late-night rooms such as Nowadays, Green Room NYC, and BASEMENT, often sharing bills with selectors and live acts including Binh, Vlada, Vladimir Ivkovic, and Rahaan.

    Karim Olen Ash

    Karim Olen Ash

    Karim Olen Ash is a New York City–based electronic artist and DJ who has presented live sets at The Parkside Lounge. His work sits between club practice and performance, built from programmed rhythms and layered synth lines shaped in real time.

    maenad

    maenad

    maenad is a New York City–based electronic artist and DJ who appears in club lineups that blur DJ craft with live electronic practice, including sets at Signal. Their work is shaped by programmed structure and hands-on control of texture, favoring pacing and detail over showy gestures.